2018 repress with tripple gatefold cover + unique time stamp + double sided 12inch inlay . >raw as fuck autistic star trek 1987- misty forests- x-files,- detroit unicorn futurism made on cheap ass digital & analog crap synthesizers recorded in a ragtag bedroom studio on a teac vhx cassettedeck in dolby c with an unintelligible yet soulfull vivacity< legowelt

various artist on yoyaku s sublabel aku with tracks from roger gerressen, boniface, difid and robert david. only vinyl

silent season tap up antenes for a rare 12inch, building on the sizable impact her last and only release on l.i.e.s. had back in 2015. here we get three trips into dark, evocative techno territory as you would expect to find on silent season, leading in with the doom-laden march of dream uncreates the land. take me to the birds (for a) ditches the drums and heads straight into the most delicate and stirring of ambient pieces, while metra train chicago 1000x- makes use of field recordings and processed static to make for an even more immersive listening experience. this is a daring release that eschews the need for functionality to take the listener somewhere else entirely.

hot creations revive chicago’s ghetto house scene with pioneer dj funk and german producer rydim who deliver the pumping “ghetto booty”. a fitting addition to the release, miami’s jesse perez is on hand with solid remix.
the title track is a real throwback to the era of ghetto house with it’s straight up, stripped beats. rydim explains “this project is a dream for me! dj funk has always been my greatest hero in all things chicago. doing “ghetto booty” with charles was such a fantastic opportunity to bring all these energetic, uptempo chicago vibes to today’s dancefloors. it’s a bouncing, killer of a track! the other “easy as that” is more of a dj tool. it’s the result of my latest drum computer, swinging like only these little machines can.”
rydim has been stirring up dance floors and releasing records under a variety of pseudonyms since 2002. since his rydim alias began in 2013, he has delivered releases for an enviable roster of labels including hot creations, tsuba and pets recordings and his tours have included the electronic scene’s most prestigious clubs.
mr. nice guy records label owner jesse perez has released on labels like hot creations, i’m a house gangster, bpitch control and eats everything’s edible. his music always has a tongue in cheek charm and this latest remix is no exception, as he brings a heavy dose of funk and swing into the mix.

having already earned his balearic stripes some time ago, as one of the resident djs at we love. at space in ibiza, ian blevins has since relocated to berlin, and has been immersing himself in the esoteric vibes of the city. on the strength of his latest ep on futureboogie, this is clearly a good thing, as the round trip ep is laden with the deep magical vibes that have also shaped his recent releases on labels like banoffe pies, not an animal records, blind jacks journey and esp institute. on round trip, an abundance of driving, arpeggiated synthesizers weave around sparse yet sturdy drumbeats, as thick pads rise and fall in dramatic fashion. panthera krause (permanent vacation/riotvan/lobster theremin) is on board for the remix of round trip, re-shaping the original into a merry, space organ led, tribal dance, with a splash of garage house vibes that soon become immersed in its own synth heaven, its a cracking remix from the leipzig based producer. on rolands rat, blevins keeps things tight with soaring strings, organ stabs a strolling bassline for a quality jam, whilst can you count my dream? is a dense, and cinematic slab of transcendental dance, an almost claustrophobic atmosphere only intensifies the drama and delivers the heat that seals this superb ep from blevins.

richard sadface was born during a midsummers nightmare on a rooftop in cologne. he did not become the fiddler on the roof because since his birth he suffered from severe fear of heights. richard sadface lead a lonely life. never did he become the dream of someone else. instead, the thought of him made others turn uncomfortably in their sleep. never could he claim to be the eyes or the mask of another. the others all looked away. richard sadface was a sad man. richard sadface by god. music by superpitcher.

van morrison scheint 2017 kreativer denn je zu sein: mit »versatile« präsentiert der nordirische musiker, sänger und komponist keine drei monate nach seinem letzten album »roll with the punches« schon wieder ein neues werk.
dieses mal kombiniert van morrison jazzstandards wie »i get a kick out of you«, »makin’ whoopee«, »unchained melody« und »a foggy day« mit überarbeiteten versionen eigener originale, darunter »i forgot that love existed«, »only a dream«, »take it easy baby« und »start all over again«. ein highlight der platte ist auch eine neu arrangierte version des traditionellen schottischen volksliedes »skye boat song«.
weiterhin wartet auf »versatile« noch ein brandneuer van-morrison-song, nämlich »broken record«.
das doppel-vinyl erscheint im klappcover inklusive downloadcode.

having cruised around labels such as la luna, tusk wax and most tellingly back to the balearics, maricopa has already left a trail of smooth-sailing breadcrumbs behind him, and now he drops anchor in a harbour which may yet prove to be his spiritual home. is it balearic? is a question that hardly needs to be asked when you re drifting out to sea on the blissful tones of benthos or reveling in the expressive ripples of deer, but it s safe to say these jams would go down smooth with a mediterranean sunset and an aperol spritz.

»absolute treasures« ist eine erweiterte wiederveröffentlichung des soundtracks zum vierzigsten jubiläum vom 1975 erschienen kult-musicalfilm »the rocky horror picture show«. das album enthält alle tracks aus dem film, auf rotem vinyl, von beginn an, einschließlich planet schmanet janet, once in a while, the sword of damocles und planet hot dog!

demon records präsentiert indie anthems – 20 alternative classics auf 2 lps. diese veröffentlichung enthält die besten tracks von den stone roses, radiohead, primal scream, kasabian, manic street preachers, the prodigy & vielen anderen mehr. eine absolut hochwertige indie / rock-compilation mit hymnen, die ganze generationen prägten.

dusk & dawn is private agenda s most conceptual work to date. sat at a grand piano, the pair composed two nocturnes over the course of twelve moonlit hours, chronicling the allure and mystique of the night. building on an emotive pop foundation, developed over releases on international feel and their own nightshift imprint, dusk & dawn is a deeper sonic exploration that pays closer attention to ambience and sound design. dusk is an enchanting take on new wave pop, referencing talk talk and early simple minds. a drum machine beats a half-time groove while a dusty but characterful synthesizer pulls the track towards it s cathartic dream-pop apex. dawn draws on contemporaries like imaginary softwoods and croatian amor, bringing the listener down to earth into lucidity. beautiful arpeggios soar over reverse guitars, wistful lyricism is coupled with detailed ambience. a blissful meditation to ease you into the day. remixes come from faze action, ron basejam and ian blevins who all add their deft to touch to dawn and offer up flavors from different corners of the dance floor to this adriatic / balearic influenced piece of music.

its taken over two-decades legendary uk techno label ferox enter their 24th year with a 4 trackerafrom fellow brit kirk degiorgio. beholden looks both to the future with influences from kirk s seminal machine events which he hosts with ben sims, and the illustrious past of deep melodic uk techno which he shares with ferox owner russ gabriel. it continues a resurgence of lush, harmonic techno that once dominated the electronic music scene and which is now findingaa fresh, young audience. expansive chords, delicate melodies and intricate grooves are once again on the cutting edge agenda.

ltd 50% deal , last copies left ... italian production duo, mushrooms project, make their debut on jansen jardin with the wonderful >galattica<. releases for labels like under the shade and is it balearic? and remixes for the likes of tirk, lipservice and nang have introduced their blissed-out, mediterranean sound to fans around the world. galattica is 11 minutes and 45 seconds of high plains drifting, dream disco for late night drives and sunset sessions. a lush combination of euro disco arpeggios and west coast guitars spill out across a landscape of live percussion, bass and dub acrobatics. this is the soundtrack to a spaghetti western set in ibiza. a fistful of cervezas. the remix comes courtesy of the mighty chicago damn who has been responsible for some extraordinary music from his debut on mark es merc label to releases on claremont 56 and his own eponymous imprint. here he re-imagines the original track in the image of model 500, stripping away the music to a raw machine groove. dark, atmospheric and undeniably aimed at the floor.

erste ep des italieners musumeci für diynamic nach seinen beiden remixes für das label in 2015 und 2016, sowie zahlreichen releases auf aeon, bedrock, connaisseur, compost black label, my favorite robot und off recordings. die inspiration zum titeltrack lieferte ein dystopisches instrument namens penfield mood organ aus der sci-fi-novelle “do androids dream of electric sheep”.

at night, things get a lot more unpredictable. a stranger can become a friend, you suddenly become intimate with a woman or a man whos name you will never find out, while darkness also allows you to conceal your true identity - even become someone else. inspiration for this album emanates from the fascination towards the intensity of what nightlife has to offer , euphoria and melancholy, spotlights or incognito, sexual contact or lonely voyeurism... francois x entertains the listener with playful ambiguity and unsettling, yet sensual atmospheres.

at the movies is very proud to present this epic soundtrack on vinyl for the first time!
james horner knew when he took on the scoring of avatar that it would be the challenge of a lifetime. the music is both classic in its orchestral power, but also connects us to the soul of the na vi through the use of indigenous rhythms and vocals.
pressing on 180 gram audiophile vinyl.

‘utopia’ is the ninth studio album from the iconic artist björk, out november 24th via one little indian records. the album s artwork was created in collaboration of m/m, jesse kanda and james merry and reflects the records sonic direction, optimism, lightness, utopia. of the album she explained to dazed this summer that, ““maybe that’s why it became a utopian theme – if we’re gonna survive not only my personal drama but also the sort of situation the world is in today, we’ve got to come up with a new plan, if we don’t have the dream, we’re just not gonna change. especially now, this kind of dream is an emergency.” björk wrote, produced and recorded the album between reykjavik and new york, working closely with arca and writing for, conducting and recruiting a thirteen piece flute orchestra which will be on the road with her next year.
double heavyweight lp in gatefold sleeve with mp3 download card included.

the best of evanescence combined with orchestral arrangements by david campbell.
double vinyl in gatefold sleeve with cd-copy of the album included.

a-ha’s stunning debut album from 1985 back on wax. mastered by ron mcmaster at capitol studios, pressed on 180 gram.incl world no.1 take on my, the sun always shines on tv & hunting high & low !

»a brand new me: aretha franklin with the royal philharmonic orchestra« verbindet ihre legendäre stimme aus den berühmtesten songs, die die »queen of soul« für atlantic records aufnahm, mit brandneuen arrangements, die vom royal philharmonic orchestra eingespielt wurden. aretha franklins unverwechselbare stimme wurde mit diesen neuen orchester-arrangements auf »a brand new me« wunderbar verschmolzen. die ebenfalls neu arrangierten und aufgenommenen backing-vocals stammen von grammy-gewinnerin patti austin, the royal philharmonic orchestra nahm seine parts in den londoner abbey road-studios auf.
das ergebnis dieser außergewöhnlichen bearbeitung besteht in einem zeitlosen album, das den soul, den groove und die gospelpower von franklins weltweit verehrter stimme erhält und einmal mehr in einem neuen kontext herausstellt. unter den highlights befinden sich neu imaginierte versionen von klassikern wie den zeitlosen billboard-no.1-hits »respect«, »think«, »don’t play that song (you lied)« und »angel«.
das album wurde von nick patrick und don reedman produziert, die auch für den weltweiten erfolg des albums »if i can dream: elvis presley with the royal philharmonic orchestra« verantwortlich sind, das vor kurzem in vielen ländern die charts toppte und mehr als 1.5 millionen exemplare verkaufte.

smbd aka simbad is back with the second volume of his seasonal themed reworks on gamm. on side a we get a big dance floor bullet where mike lowrey & smbd fuse john coltrane with craig mack. trust us, this one works perfectly! on the flip smbd drops his disco shit with two full on 70s bangers

zweites soloalbum der ladytron-frontfrau marnie nach dem vorgänger -crystal world- (2013). auf -strange words and weird wars- präsentiert die neu-londonerin 10 neue songs mit eingängigem electro-dream-pop, stilistisch irgendwo zwischen la roux, ellie goulding und kylie minogue. ps: die limitierte lp-auflage erscheint sowohl auf schwarzem, als auch auf weißem vinyl, beide varianten sind aber unsortiert miteinander per zufallsprinzip vermischt, so dass jederr kauf ein einmaliger glücksgriff wird.

dystopic scapes & machinal excretions, instruments of discipline presents the latest self-titled release from b r 1 0 0 2. the italian duo brings their signature sound for a powerful ep. born in 2015, bruno di berardino and bruno ruggieri have pushed beyond the limits of techno, cultivating a sonic assault weapon of crushing force.
the vinyl release includes a download code.

&#65279,,,jj funhouse compile thier long time favorite selections of dr. c. stein goodies. assembled from the plays for you cd-r (trumpett), the long sold out echo trip lp (treue um treue) and some obscure cor- ners of the trumpett archive. we couldn’t be more happy with this perfect dream sequence of softspot hitters. (limited to 500 copies)

the newly founded picture: series of diynamic is a document in time, showcasing an artist s current creative output in order to allow the listener to visualise and understand the artist at a certain moment. it is not an album format, but far more than merely an ep. -picture:- is various dancefloor-oriented facettes of one producer, shaping the imagery that ultimately results in the listeners mind. the first episode of the -picture:- series is hosted by lehar.

vier tracks aus dem erfolgreichen album -rr7349- (2016) der experimentellen synthie-band s u r v i v e aus austin, texas, die für den soundtrack der netflix-erfolgsserie -stranger things- verantwortlich ist. abgemischt und neu interpretiert von künstlern wie lena willikens, not waving, sam haar (blondes) und justin k broadrick aka jk flesh (godflesh, jesu). diese vier remixe zeigen gekonnt die kompositorischen fähigkeiten und die musikalische vielfalt, die in jedem track zu finden ist, und fassen die große klangpalette von s u r v i v e zusammen. für alle fans von stranger things, john carpenter, trent reznor, tangerine dream, boards of canada, the haxan cloak, zombi, visible cloaks, floating points!

after a first year of activity with 3 beautiful single reissues, sol discos presents its first album, with the compilation message in our music, selected by waxist. focusing on modern-soul genre, the selection ranges from 1976 to 1983 and gathers a nice selection of independent and private press records, all officially licensed.

parallel people are proud to announce the release of ppl001, the 12” debut from the collective’s very own winters.
after simmering gently below the surface of the melbourne music scene for just enough minutes now, winters finally comes up for air with “sometimes for you but mostly just because” -- four tracks of elevated jazz/house/soul landscapes, with rhodes, synthesizers, and live percussion illustrating shifts between joy, melancholy, and cautious optimism.

zweifellos ist es die zusammenarbeit des pop-jahres 2009: die pet shop boys haben sich für ihr neues studioalbum »yes« mit dem hit-produzententeam xenomania (girls aloud, sugababes, gabriella cilmi etc.) zusammengetan.
die pet shop boys, die bei der brit-award-verleihung am 18. februar 2009 mit dem preis für ihren außergewöhnlichen beitrag zur musik ausgezeichnet wurden, haben drei der elf songs gemeinsam mit xenomania geschrieben. die übrigen stücke entstammen der feder von tennant/lowe, bei »all over the world« hat tschaikovsky einige ideen beigesteuert.
als vorbote des neuen albums »yes« wurde am 13. märz 2009 die single »love etc« veröffentlicht. die pet shop boys beschreiben diesen song als »post-lifestyle-hymne«, die mit nichts, was sie jemals zuvor gemacht haben, vergleichbar ist.
chris lowe äußert sich begeistert: »dieses album ist beeindruckend. es war toll, mit xenomania zu arbeiten!« und neil tennant findet: »es ist ein fantastisches, weit gefächertes popalbum.«
auf mehreren songs ist johnny marr als gitarrist zu hören, die orchesterarrangements auf »beautiful people« und »legacy« stammen von owen pallett (last shadow puppets, final fantasy).

releasing on crosstown rebels denney and d.ramirez, invite the listener into an electronic dream. aptly titled ‘stranger things’, the old friends deliver two original tracks with dubspeeka supplying the remix. debuted by label founder damian lazarus at day zero, immerse yourself in an otherworldly fantasy.

detroit producer norm talley shares his debut album, * norm-a-lise* on fxhe records. from a prolific dance floor career comes this debut full length album.
featuring 14 original tracks with influences of disco, house, and beyond taking his signature infectious style deeper. the album includes a track written by fxhe label boss omar s aka alex smith featuring l ‘renee.
having started his career when disco was king, talley’s real life influences over his 25+ year career have included the originations of house through various iterations. his reference points as one of the original members of the west 6 mile detroit crew and his dedication to his analog only studio position him as one of the more dynamic detroit artists who’s finally taking the time to release a complete project for his long awaiting fans.

al zanders makes his debut on phonica’s main label after a sold-out release on sister label karakul and also wolf music, blind jack’s journey and his own az label. the double a-side kicks off with ‘there is rhythm’, a percussive house anthem with plenty of momemtum, a tom-tom bassline and ‘rhythm’ vocal samples and that’s even before the sun-soaked pads and euphoric synth stabs come in.

after releasing space control an intergalactic journey into synthesizers, back in 2012, the theremynt duo went on to release a successful, if steady, stream of eps, including robotique de l amou r and vampiros discos (a tribute to brazilian filmmaker ze do caixao). with remixes coming from the likes of david carretta, acid washed and club bizarre, these were playlisted by scene djs such as marvin & guy and ivan smagghe, amongst others. now yann and eva are striking back with their second lp, parallels. it s a record that sees them changing their colour palette and mood, but one that s still haunted by ghosts that lurk within their synthesizers and drum machines. the 10 tracks still exhibit peel s ever shifting vocal style and yann s sophisticated arrangements. but the second lp oscillates between ballad and dancefloor, landing between cosmic disco influences, krautrock and other progressive techno sounds. as a bonus, the album also features a cover of famous 80 s anthem self control. (raf & laura branigan).

a kind of intimate scrapbook of the startling collaboration between the techno maestro and this long-standing musical collective based in bishkek, devoted to the roots music of kyrgyzstan. loose-leaved but balanced, lucid and intimate, it sets out from stunning a cappella and virtuosic komuz and kylak, mouth harp and traditional percussion: not field, but expert studio recordings, using marvellous vintage microphones, made over several days in berlin. further, a few of these are deftly treated by moritz, using reichian de-synced double-tracking, and discreet effects. also two ten-minute dubs: a deadly, signature berlin steppers, plus its version and an echoing, mystical drum session, recorded live on stage in bishkek. and a side-long, dream-like summation: the locomotive, oceanic, clangorous, dread facets. ravishing, rooted, searching music, beautifully presented.

when it comes to living legends in the texas and latin music pantheon, few have been at it longer and are more revered by their fans and peers than soul vocalist and mexican-american songwriter and bandleader sunny ozuna. he became a star right out of high school in the late ‘50s and hasn’t looked back in the six decades since.
among countless other honors and notable achievements, sunny was the first latino artist to appear on dick clark’s “american bandstand” (in 1963). songs like “put me in jail,” “talk to me,” “should i take you home,” “my dream” and “smile now, cry later” still bring crowds to their feet throughout the southwest and california and around the world at “oldies” and “lowrider soul” events. and after releasing dozens of albums since the mid-1960s (in spanish and english), sunny still keeps a busy schedule and loves performing as much as he did as a teenager. his classic 45s regularly change hands for hundreds of dollars among collectors around the world, affirming his timeless appeal.
this new compilation on brooklyn’s acclaimed big crown label is a lovingly curated selection of songs from the years 1966 to 1972. all compositions were originally released on sunny’s key-loc label, formed after his national star had been established, so he could have control of his own musical destiny. with sunny hits – a mix of originals and some great covers thrown in mr. brown eyed soul is an excellent celebration of sunny’s amazing body of work, and a perfect introduction for newcomers.
produced in full collaboration and cooperation with ozuna himself, the cd and lp packaging includes liner notes by texas music scholar and archivist ramon hernandez, and features dozens of rare photos provided by sunny himself.
vinyl lp in gatefold sleeve including download code.

das debütalbum des schwedischen dream-pop duos wy vereint markante gitarrenmelodien mit den kraftvollen vocals von sängerin ebba. die 10 emotionalen songs schwelgen zwischen sanfter melancholie und hoffnung. limitierte lp-auflage auf milchig-transparentem vinyl.

das cover hält zwar nicht unbedingt, was sich der lüsterne betrachter spätestens beim blick auf titel wie »drink my honey«, »the wet dream« und »dirty willy« von der musik versprechen könnte, liefert aber einen überaus tanzbaren industrial-house-mix.
mit hilfe des gesampelten gitarrenbretts von niemand geringerem als luc van acker und dem groovigen zusammenspiel zwischen drumcomputern und synthie-themen ergibt sich letztendlich eine durchaus massenkompatible mischung, die mit ruths multifunktionalitäts-gesang geradezu garniert wird. zwischendurch lockert dann auch mal ein an nina hagens »african reggae« erinnerndes »marijuana in your brain« die szenerie auf, ehe es kurz darauf wieder mit härteren sequenzern und uptempo-breakbeats weitergeht.
ein album an der schwelle zwischen gut & böse oder aufregend & langweilig, allemal jedoch mit gutem unterhaltungswert. umso mehr noch bei dieser neuauflage mit bonustracks bestehend aus den b-seiten diverser singles, die damals von diesem album ausgekoppelt wurden.

3 texts about that record from daft punk, the pilotwings & jorge socarrás (friend and musical partner of patrick cowley) have been written. (see below) andrei orlov pushes alive sounds from modern electronica spectrum through avantgarde, krautrock or ambient. it is totally new even if you would quote tangerine dream or john carpenter to assimilate ... it includes a track reinterpretation by le chocolat noir. based in moscow (russia), andrei orlov pushes alive sounds from modern electronica spectrum through avantgarde, krautrock or ambient. it is totally new even if you would quote tangerine dream or john carpenter to assimilate ... this space world full of lights crossing the city late at night, boarding with them all kind of styles ... cosmic disco,psychedelic pop, synth music. linking past to modernity is something conscient in andrei s sound, permitting him to play live at local places involved into technological process where conferences also take place, at the 2016 synthposium festival for example.

to celebrate argot s fifth year of releases, we re launching a series of compilations boldly entitled american dance music. argot s first ever various artists compilation continues its mission of showcasing homegrown talents, assembling a cast of familiar faces and welcome compatriots for the inaugural edition. american dance music vol. 1 features the long anticipated return of the black madonna, who debuts her new collaborative project with rupert murray, throwing shapes. you ll recognize argot stalwarts savile, olin, todd osborn, maxine & cleo, and hippie priest on the tracklist. we ve also invited friends noncompliant and alex falk to the fold. with future volumes we aspire to look even further afield and cast the spotlight on many diverse talents who make up american dance music. much of american dance music vol 1. is aimed squarely at the dance floor, whether it s todd osborn s smooth and playful romp, 80s are here (part 2), or noncompliant s acid tweaked ode to girls everywhere, femslash. throwing shapes comes bursting from the gates with the raving stomp of heatstroke, channeling midwest raves as much as the thomas bangalter tunes inspired by them. savile offers the growling stepper, reality is a sound (share power mix), while alex falks vines provides an effervescent vocal moment. olin and maxine & cleo double down on hypnotic motifs: the former s 2d rhythm whips snare riffs off the walls of a late night jam, the latters imagine yrself catches dancers in a lockstep house groove with stimulating vocals as its key. the compilation concludes on hippie priests dream machine, whose melancholic melodies and cinematic scale twiddle heartstrings with a deft hand.

moody repetitions with a chilean background.
feeling a strong connection with the minimal house emerging in the 90’s from detroit and with his roots up in santiago de chile, it is after releases on “matrix recordings”, “deepartsounds” and his own record label “ojodeapolo.cl” time for jorge c. to release his sounds on dopeness galore. the distinctive rhythm and sound slowly presents an old dream (sueño viejo) to one another.
“an old dream for people loving house king’s like rick wade, hieroglyphic being & dj sprinkles but also the french cassius. open up to jorge c. – sueño viejo”

seven exquisite deep house cuts for you by producer toyin agbetu. a forgotten hero responsible for some of the most exquisite music out there. from streetsoul and hip hop to moody chicago and detroit inspired house and soulful garage cuts. all crafted with passion, love and devotion. with this ep frame of mind introduces you to some of his finest works recorded under his shades of black alias selected from several out of print 1990- 92 releases from the intrique label. must have for fans of mr fingers, larry heard! tip!!

1997. drexciya dont have no phone. theyre too busy to do your remix. mad mikes response was short and to the point, enough to put off some, but not vincent koreman. addicted from an early age, the dutch producer dug deeper and deeper into the mythology and mystery of james stinson and gerald donald. the sounds, images and ideas conjured up by the detroit electro duo pulled koreman in, his fascination growing ever more intense as the underwater dwellers sonically prospered. fast forward twenty years and that fascination has not diluted one drop, in fact the aquatic dream of the wavejumpers is the inspiration for recolonization. these tracks would have never had existed, says koreman, if it wasnt for stinson and donald creating that great, energetic, abstract electronic music and coupled it with an original vision on the african diaspora, art and culture. this music is an homage to th e enigma of drexciya, a tribute to the machine marine men who pioneered electro and a vision. drvg cvltvre continues that vision, one of an underwater race that has reconquered earth, overcoming big business, corporate greed and water pollution to reclaim the surface from man. forget mankind. our time is over, recolonization is here.

b-stock! cover with seam split. vinyl unaffected & mint. earth patterns is a new journey into sound by london based australian born musician ben davidson, best known for his disco tinged house singles as ben sun, that were championed by the likes of gerd janson and larry heard. the earth patterns concept presents a more expanded instrumental sound with live rhythm sequencing and synth work, sitting alongside vangelis katsoulis, lars bartkuhn and soichi terada on alex bradleys utopia records. davidson joins the dots between detroit by way of tokyo techno on sunflower to dream ii science deepness on horus rising and some worldly organic rhythms for a modernist and dare we say it utopian sound on after the rain. the analogue sound from his london studio comes through on the gentle and harmonic b-side opener transit pan perhaps the start of a journey beyond the dance floor for the producer. artwork and liner notes by davidson himself, all pressed by bespoke pressing plant the vinyl factory on heavyweight vinyl.

decks tip!! effervescent in its construct, andrey pushkarev’s photograph ep on his newly founded ‘luck of access’ imprint, is an exploration of the interplay of sounds and personal memories. three tracks of compelling circular beauty curling slandered dub realms in a surreal dream-state of lush, liquid and hazy frequencies.

rap was something that just happened to her. keny arkana was only twelve when she started writing her first lyrics. her first contacts with the record business came in 2005. but even before she infiltrated the matrix, keny released her first opus, l’esquisse, a fast and furious street album containing the hit “le missile est lancé” produced by tefa & masta as well as “de l’opéra à la plaine”, a gargantuan freestyle track by twenty writers born and bred on the streets of marseilles. 12 years after l’esquisse and 6 years after l’esquisse 2, keny releases l’esquisse 3. a spontaneous, creative, sincere, energetic and meaningful record, with powerful rhythmic and precise arrangements. even though the record has a mixtape appearance, it hasn’t been a botched job, as evidenced by its complex structure and harmony: musical interludes around the four elements, true rap anthems like “couleur molotov” or “lejos” and contemporary hits like “abracadabra” or “freestyle beatbox” with beatboxer tressym for an instrumental. both dark in its lyrics and lively in its energy, keny’s mixtape l’esquisse 3 reveals again an artist just as we could dream in 2017: clear-sighted, offensive, touching and inspired. dear she’s been missed!
double vinyl in gatefold sleeve, cd-copy of the full album included.

already supported by tania vulcano, rich nxt, doubtingthomas, javier carballo, barac, fabe, janeret, onno, sakro, yaya, terence terry, david gtronic, yamen&eda.
first one in side a there is a fresh dancefloor track made by new yoyaku’s enter: brett jacobs. in a2 we can hear a housy sound coming out from the italian duo bassa clan.
in side b we find, first, an hypnotic groove made by the well-known minimal boss nima gorji and then, we get a new bomb from the young talentuos duo from ibiza: 2vilas.
release will be only vinyl. new artwork by uokytoky.
thanks to all artists who has worked with us.

astro chicken label boss hyboid delivers his nod to the 80s-centric synthwave craze. from catchy to new romantic, from stomping to sleazy, -wired at heart- has it all: vintage drummachine beats, bubbling sequences, dreamy analog pads and sizzling synth leads. -hyboid s wired at heart- is a synth-nerd s wet dream cast in vinyl!